Three weeks ago I sent off a batch of portraits to new friends in Mumbai. I've been spending time in the darkroom again and I think I have about half my Run to the Noise project's 40 or so portraits finished and I've been posting them in the mail as I go. Someday I'll try to show them, but the real point of the project was to meet Mumbaikars after last year's terrorist attacks and, through photography, get to know them a bit.
This was originally written after Sep 25, 2001. I intended to post it eight years to the day later but was delayed.
It is 11pm on Tuesday the 25th and the wind is coming out of the South. I never noticed the wind direction in New York City before. It never seemed to matter.
It has been two weeks and I’m walking down Broadway, below 14th street, while the damp mass of befouled air passes around and seemingly through me.
Ground Zero is the pit from which hell exhausts. It’s the wellspring of this river of burning plastic stench and reeking battlefield decay; and West Broadway, Church, and Sixth Avenue are its sibling tributaries. Together they are channels of funk with dimensions made visible by smoke. They move purposefully and inexorably north, bounded above and to each side by the cool clean air standing aside to let them pass.
As I move upstream, the odiferous river intensifies at Canal Street and I am, with the combined effects of the stink and the knowledge of its source, beginning to consider the possibility of gagging. Beyond my physical reaction, I find the smell shameful. Somebody should open a window. Elder Zosima on that warm day at least received that courtesy. It is natural that the remaining physical presence of the innocent should decay, but we shouldn’t be compelled to remember them this way.
My mind wanders. I’ve always loved walking in this city, especially in the winter. The gift-shopping bustle, the beautiful women, the not-beautiful women who try hard, smoking street carts, and all those buildings - architectural monuments to the before with their fossilized intelligence and labor. Red marble columns supporting stone lace, or a mansard roof of epic proportions from an epic time; I am transported. Swimming the crowded sidewalk I’m a bit player in Helprin’s Winter’s Tale.
Of course this city isn’t a museum and around the next corner the now thrusts itself back into my conscience, infinitely tall and sheathed in glass. Those modern towers hold down the southern reaches of the city, maintaining balance with the Art Deco towers to the north. Or they did.
During those walks, rubbing shoulders with the empty I was exhilarated. The beautiful automatons, hollowed out stock traders, vacuous French-cuffed investment bankers, bums with soul but little else hurried through canyons that weren’t then rivers of stench and I felt alive against them as backdrop. Their gaze was invariably straight ahead; even those in the most humbling circumstances wore the haughty invisible smile of the aristocracy, the aristocrats of Gotham.
Back then when the air and wind was invisible, Hell’s vent was capped, and the skyline had balance, New Yorkers conveyed the sense that “I may be nobody, but I am somewhere, I’m at the hub around which this world spins. It may not pay me homage, but it is facing my way when it bows.” Evita's dressing maid might have worn that same haughty gaze as she stood in the background on that balcony, when the crowds reached and cheered.
Today the skyline’s balance is gone, and, as I walk along Broadway the pleasure of being at the center is gone with it. It has been replaced by the realization, borne on the fetid wind, that not every face gazing this way is friendly, and that the angry ones are not powerless in the face of such grandeur and energy. And though New Yorkers continue to view the world through eyes glazed with characteristic disdain, it’s an affectation without justification. Maybe the French aristocracy viewed the world through similar eyes in those first weeks after the Bastille was crashed.
This was originally written and posted on Sep 14, 2001, eight years ago today.
This morning it is raining in New York City. A cold hard rain that is, frankly, more in keeping with the mood here. It seems as though, after days of insulting us with her apparent insensitivity, Mother Nature has put aside those beautiful crisp Autumnal days and is shedding some tears of her own.
The news is blathering on telling us how we are standing together, a people united; thereby implying that human nature is, after all, intrinsically good. That may be true, but I am cold and my jeans are wet from the knees down where my umbrella fails to block the wind-driven rain and the honking horns all around me indicate to me that I’m not the only one moody, depressed, and deeply angry.
I have come outside to escape the confinement, the television I can’t turn off, and to find a cup of coffee to stunt this headache re-forming in my skull. The rain is knocking down the dust (and my concerns about asbestos) but it can’t eliminate the burning plastic insulation smell that occasionally skulks up from the south. The wind is expected to come around to the North as the rain passes through and I suppose that will keep the smell down for a while.
This morning the leader of The Moral Majority (even the name strikes me as an oxymoron at this moment) demonstrated his level of enlightenment by declaring our current crisis the result of our tolerance as a society for homosexuals and other sundry and miscellaneous sinners in our midst.
A few months ago a dance floor in Israel collapsed sending some 300 people attending a wedding plunging to their deaths. A noted rabbi concluded (a philosophical cousin of Jerry Falwell’s I presume) that they were being punished for dancing.
Both of these statements probably make a lot of sense to the people who made them, though I can hardly fathom the circumstances or childhoods that shaped the worldviews that must be necessary for either the content or timing of such crap to make sense. To me they only make me thankful that I don’t live in a country ruled by a religious right, such as Afghanistan for example. Jerry Falwell’s Moral Majority is our Taliban-in-waiting. A confederacy of self-righteousness prepared and willing to help us live right, even if they have to shove the correct behavior up our collective asses on a stick.
Maybe it’s not the lack of coffee causing my headache.
It seems to me that most human behavior is programmed to be fundamentally tribal, and geography, religion, politics, sexual orientation, and the like are simply attributes we use to define our groups. Tragedies such as Tuesday’s, if they bring us together, do it by expanding the boundaries of our tribe, for a time.
Both Monday’s white Catholic independent white collar resident of the Upper West Side and black Muslim Democrat municipal worker from Chicago are today’s Americans; their differences today less important in the light of recent events. As normalcy returns the scope of tribal inclusion is likely to shrink as some of these dimensions begin to matter again. But for now, we are united under a common cause.
Weirdly though, the hyper reactionary choose not to be included, even for a time. In the midst of all this, they maintain a stream of rhetoric designed to exclude the rest of us from their clique of self-righteousness, and equally, to exclude themselves from our current togetherness. They stand apart, angry at what I’m not sure, preaching a religion of division, and usurping their God’s role of judge. Tonight, I will thank their God that we are governed by a more moderate element.Late yesterday afternoon I was off to meet Gautam in Santa Cruz. He is a colleague I connected with before leaving the States. The cab drivers who had been so solicitus for days didn't want to take me out there since I was only a one way fare. "We are honest, cab to there is expensive, you are better off taking the train". So, I did.
The people of Mumbai are outgoing, friendly, and welcoming. Which sometimes makes it difficult to know who is scamming you. If the honest people were less friendly the scammers would be easier to spot, but what fun would that be?
On Sunday I met two people in rapid succession while playing the hello game in the area around Fort in Mumbai. It's not exactly a game I guess, it's just me smiling broadly and saying hello to pretty much anyone and everyone just to see what happens. About two thirds look at me exactly like they would in New York, like I'm a loon. The others hesitate for a moment and then suddenly decide to smile back and, perhaps they'll even ask me how I'm doing. And then, every once in a while, someone stops to talk (or maybe just stand there looking at me for a while, maybe to see what I'll do?).
I meant to make this first post before I left but there were pressing things to do. Now that I'm here I can waste some of the hottest part of the day here in my room with the A/C on.
I like to have a camera with me all the time and since about 2000 an old beat up Lomo LC-A is usually the one (or at least one of the ones). It's small, has a nice lens, and really takes a beating (you should see this thing, I can't believe it still functions).
I've been quite behind in my sorting and filing and am finally going through about 200 rolls of film. As I go, I'm identifying images to scan. I guess about one image per roll on average. That's a lot of scanning and it's going to take a while.
I like immediate gratification so in the meantime, here are a few images I've scanned so far...
I drove to Indiana this month to visit my parents and much to my surprise I shot almost no film. I took a car load of equipment with me but then just never got the urge to drag it out. I did shoot a little bit of film through my Diana toy camera though, mostly while wandering around in South Bend.
I like these four pictures, but they aren't really capturing the moment the way I hoped they would when I shot them. This next picture does though. As soon as I looked at the negative I knew that I was going to like it; but when I scanned it I loved it. I love the textures, the movement, and the color in this image.
This last shot was made somewhere in Ohio on the drive home. I hope that there will be many more scenes like this in the near future. I realize there are more than three windmills on the hill, but I guess the imagery from recently reading The Master and Margarita is still fresh in my head because I thought of Golgotha when I first looked at this negative.

on Con is for Confidence